Category Archives: Research point 8

Research point 8: Urban Environments

For this research point I was asked to look at urban environment landscapes. I started by looking at John Virtue and the work he produced while associate artist in residence at the National Gallery between 2003 and 2005.

John Virtue is a landscape artist whose drawings look almost abstract. He often works from the landscape of where he happens to be living at the time, in this case it was London. 

John Virtue works in black and white. He uses acrylic paint, black ink and shellac and works on canvas.

John Virtues London Paintings focus on the London skyline, where he often showed popular landmarks such as St Paul’s Cathedral.

Below is one example of his works from this time, landscape no. 664 

Art UK. (2020) Landscape No.664 John Virtue. At: https://artuk.org/discover/artworks/landscape-no-664-29490 (Accessed 16/04/2020).

This is a landscape drawing of a view along the river Thames. It shows a view of St Paul’s Cathedral and Blackfriars Bridge. At first these are the only two aspects of London I recognised, and the rest appeared to me like a vast amount of blackness. However over time and really looking that this image I began to notice other elements such as the boats on the river. 

I find his drawings really emphasise the hazy and smoggy side of London, he shows this through his rich over use of black, and his works almost smudgy abstract appearance. I love the subtlety’s of his detail and the extravagant mood and atmosphere he manages to portray. 

The next artist I looked at was Nathan Walsh. Nathan Walsh is an English artist who paints ultra realistic urban landscapes. One of the reasons I chose to look at him was because of his use of perspective in his work as this is what I have been studying recently. 

Below is an example of his work: 

Walsh often exhibits his detailed line drawings alongside his final paintings. It is obvious from these drawings that he firstly establishes his horizon line and then works with lines of perspective from there (exactly how this course has so far taught us to do.) 

I love how his final pieces show a mixture of ultra photo realism and an illustrative element, for example the puddles on the pavement could be a photograph whereas the tree in the centre looks like an illustrative drawing. 

The next artist I decided to look at was Craig McPherson. Craig McPherson is known for his urban landscape paintings of New York City. Below is an example of one of his works,

Craig Mcphearson (2020.) Yankee Stadium at Night. At: http://craigmcpherson.net/mezzotints/Yankee-Stadium-at-Night-detail.html (Accessed 16/04/2020).

One of the reasons I chose to look at Craig McPherson’s work, was it showed striking similarities to John Virtues black and white paintings. However rather than using Acrylic paint and ink like John Virtue, Craig McPherson uses mezzotint, a type of print method used with copper or steel plates. This is a process I have never used before or even heard of so it was something I found exciting and fascinating. 

I was really inspired by Craig McPherson’s Yankee Stadium at night. I love his use of vivid light and the amazing atmospheric perspective that is shown. (This is something I failed to achieve successfully in my own work on my previous exercise, so is a technique I am very interested in now.

I feel his work is very dramatic and I love it’s vast composition. Unlike John Virtues work Craig McPhersons detail is sharp and obvious. This works makes my eye travel around the piece at great speed it feels like I can’t get enough of every tiny aspect quick enough. 

In conclusion all three artists show wildly different styles and techniques whilst still maintaining an exciting portrayal of urban landscapes. Moving forward I would like to be able to use their work to inspire my own drawings including John Virtues use of mood and atmosphere, Nathan Walsh’s incredible detail and realism and

Craig McPherson’s use of atmospheric perspective. 

Bibliography:

The National Gallery. (2020) John Virtue. At: https://www.nationalgallery.org.uk/learning/associate-artist-scheme/john-virtue (Accessed 16/04/2020).

Wikipedia. (2020) John Virtue. At: https://en.m.wikipedia.org/wiki/John_Virtue (Accessed 16/04/2020).

Schama, S. (2005) This is London in all its rain-sodden, beery-eyed, nervy exhilaration. At: https://www.google.com/amp/s/amp.theguardian.com/artanddesign/2005/feb/28/art (Accessed 16/04/2020).

Yale Centre for British Art (2020) John Virtue. At: https://britishart.yale.edu/exhibitions/london-john-virtue (Accessed 16/04/2020).

Art UK. (2020) Landscape No.664 John Virtue. At: https://artuk.org/discover/artworks/landscape-no-664-29490 (Accessed 16/04/2020).

Exercise 2: Foreground, Middle ground and Background.

For this exercise I choose a photograph from my Aunts back garden, I used this garden for my previous exercise on 360 studies. 

I worked a3 size on white cartridge paper and used a selection of different pencils. 
The aim of this exercise was to establish a foreground, middle ground and background. 
The photo I chose from my Aunts garden I felt showed this effectively

This way of organising space is characteristic of the French classical painters Nicholas Poussin and Claude Lorrain who in turn influenced the British landscape artist JMW Turner.

Nicolas Poussin Landscape with a Calm, 1650–1651

Claude Lorrain

https://en.m.wikipedia.org/wiki/Claude_Lorrain

JMW Turner Italian Landscape with Bridge and Tower, 1827.

All of these landscape paintings show foreground, middle ground and background effectively, their common traits are mostly blurry backgrounds and much sharper foregrounds. This is something I am going to aim to do in my work. 

I started my drawing by doing a line drawing of my photograph. I then started to add tone to the background, I worked with my softest 6b pencil and and aimed for very little detail, I then worked into my middle ground where I used my 2b pencil and aimed for slightly more detail, then for my foreground I used my sharpest HB pencil, I tried to focus on small detail with this part and used cross hatching and mark making to show tone.

Whilst working I felt like I was succeeding in this exercise, however when I finished I noticed that it wasn’t actually as obvious as I thought or would have liked? One problem I had whilst drawing was I was constantly smudging my work unintentionally with my hand whilst moving my pencil around the paper? I think in future maybe I should rest my hand on a piece of material or paper to try to prevent this smudging? 

I also think in future I need to make the foreground, middle ground and background even more obvious. I believe this drawing would be more effective if I made all of the background completely blurry, then the middle ground less so and the fore ground extremely sharp. 

I feel I have gained a lot from this exercise. Even though my drawing is not as obvious as I would like it to be, my subtle differences do show a small element of space and this is something I will continue to work on and think about in my future work.

Research point 8: Contemporary artists who work with landscapes.

For this research point I researched contemporary artists who work with landscape and a range of viewpoints and I compared their approaches with those of earlier artists.

The first artists I looked at were Tacita Deans blackboard drawings and George Seurat’s landscape with houses.

Tacita Dean is a British artist born in 1965 in Canterbury. Her series of six multi-panel blackboards show the entire length of the river Kabul in Afghanistan. Each panel depicts a different viewpoint of the terrain. Below is an example of one of these works.

Tacita Dean , Fatigues, 2012 (chalk on blackboard)
https://www.mariangoodman.com/artists/39-tacita-dean/works/28967/
(Accessed 17/03/20)

Georges Seurat was a famous French 19th Century Neo impressionist artist. He was mostly famous for his pointillism painting technique but he was also famous for his conte crayon drawings. Below is an example of one of them.

Georges Seurat, landscape with houses, 1881-82 (conte crayon) 
https://www.metmuseum.org/art/collection/search/337676
(Accessed 17/03/20)

Similarities between the two drawings:

– Both drawings are landscapes.

– Both drawings are monochromatic grey scale works with high levels of tonal contrast that use similar tonal arrangements and variations that both result in providing dramatic atmospheres. 

– The foreground in each drawing is black which draws my eye to the main focal points in the drawings. 

– In both drawings the focal points appear to be across the middle of the works. 

– Both Landscapes have an undulating up and down rhythm. This is shown in Tacita Deans mountain levels and in the level of the rooftops in Georges Seurats landscape. 

Differences between the two drawings:

– The first difference I noticed is the size and volume of the landscapes. Tactia Dean’s six huge blackboard drawings measure 6 feet x 15 feet each whereas Georges Seurat’s work is an individual piece measuring 24.9cm x 31.9 cm.

– Both landscapes are created using different media’s, Tacita Dean created her work using chalk on a blackboard whereas Georges Seurat used conte crayon on paper.

– Tacita Deans drawings are purely of natural forms whereas Georges Seurats drawing includes houses so it is more man made. 

– Tacita Deans drawings are white chalk on a black blackboard whereas Georges Seurat’s drawing is black conte crayon on white paper. 

– Tacita Dean’s work has a dark area to represent the sky, this contrasts with Seurat’s light tone to represent the sky on his work. 

– It is likely that Georges Seurat completed his drawing at the scene and therefore probably in a relatively short amount of time, I think this because Seurat was known for his “plein air “ paintings where he completed his work outside. Whereas Tactia Dean’s work seems to have taken much longer and is also accompanied by a film and a book with information regarding the images. Her work was also created using photographs that she took of the landscape. 

– Tacita Deans drawing looks almost photographic to me, whereas I think Georges Seurats looks very much like a drawing. 

– The drawings were produced over 100 years apart. 

In conclusion both drawings have huge similarities and equally huge differences, they are both exciting, Moody and evocative in their own seperate ways. They both evoke a sense of serenity in me. 

The next two artists that I decided to study were John Constables ‘The Hay Stack’ and Stev’nn Halls ‘Red box car.’ I decided to look at these paintings  because I was fascinated by both paintings exciting dramatic clouds in the sky. 

Stev’nn Hall is a contemporary Canadian artist who creates multimedia landscapes. The work I will be looking at is Red Box Car. Created with photo, oil, ink and resin on panel. It is 84cm x 84cm. 

Stev’nn Hall Red Box Car 
http://www.stevnnhall.com/mixed-media-2008.php#red%20box%20car (accessed 21/03/20)

John constable was an English landscape painter ‘The Hay Stack’ is regarded as one of his most famous works. It depicts a rural scene on the river stour and was completed in 1821 using oil on canvas. It is 130.2cm x 185.4cm.

John Constable The Hay Stack 
https://mymodernmet.com/contemporary-landscape-painting/ (accessed 21/03/20)

Similarities between the two artworks:

Both works are landscapes

Both landscapes have exciting dramatic clouds and skies, that to me are the main focus.

Both paintings have landscapes of countryside fields with trees.

The colour schemes in both landscapes are similar, the blue tones of the sky and the heavy tones in the clouds are similar as are the yellow, brown and green tones of the countryside below. 

Both landscapes give a realist depiction of what the landscape would have looked like. 

Differences between the two artworks: 

The materials used in both landscape works are extremely different, John constables uses the very traditional approach of oil on canvas whereas Stev’nn Halls works in a very unique and contemporary way for this landscape, he took photographs through the glass of his car window, he then re photographed his photgraphs, edited and distilled these images then enlarged them and scratched, distressed and painted on top of them finishing them off with a glaze.

The time apart from which they were created is an immense difference John constables work was created in 1821 whilst Stev’nn Halls work was created in 2008, 187 years later! There is no doubt that both of these artists lived and created their art in extremely different worlds. 

The amount of sky John Constables’ landscape has appears to be a proportional amount for a realist depiction of a landscape. However Stev’nn Halls landscape seems to have a disproportional amount of sky in comparison to the amount of landscape portrayed. For me this is why I was so attracted to this work, having such a large proportion of sky really enforces it’s dramatic and exciting clouds. 

John Constables ‘The Hay Stack’ is a landscape that depicts a rural scene on the River Stour. The Mill in the painting was owned by Constables father and the house on the left hand side of the painting was owned by his neighbour. This was therefore a very personal painting to the artist. 

Stev’nn Hall’s landscape is replicating his childhood memories of going for drives sitting in the backseat of his parents red box car driving through rural Canada. 

In conclusion both landscapes have huge similarities mostly in their subject matter, composition and colour schemes. Equally there are huge differences, namely in the physical processes in which they have both been created. Overall both landscapes are exciting and give a real sense of place making the landscapes come alive and evoke a real sense of atmosphere. 

Bibliography:

Marian Goodman Gallery. (2020) Tacita Dean. At: https://www.mariangoodman.com/artists/tacita-dean/ (accessed 17/03/20) 

Corwin, W. (2013) Tacita Dean. At: https://frieze.com/article/tacita-dean-2 (accessed 17/03/20)

Wikipedia. (2020) Georges Seurat. At: https://en.m.wikipedia.org/wiki/Georges_Seurat (accessed 17/03/20) 

Abdou, K. (2017) Art History: The Evolution of Landscape Painting and How Contemporary Artists Keep It Alive. At: https://mymodernmet.com/contemporary-landscape-painting/
(Accessed 21/03/20)

Stevnn Hall. (2020) Red box car.http://www.stevnnhall.com/mixed-media-2008.php#red%20box%20car (accessed 21/03/20)

KM fine arts. (2020) Stevnn Hall. At: https://www.kmfinearts.com/artist/Stev’nn_Hall/biography/ (accessed 21/03/20)